Originally posted by X:
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Originally posted by Raven:
quote:
Originally posted by X:
quote:
Originally posted by Raven:
I like sketches, and sometimes buy individual ones, but rarely buy boxes of sketch focused product because it is just so hard to randomly pull a sketch that you would go out of your way to own. I don't consider myself a sketch collector, just appreciate certain ones.
This is my main issue with sketch sets and I do not understand how collectors so heavily invest in breaking such product (different story for dealers obviously). Art is SO subjective, no one collector can like everything they pull. You will inevitably end up disappointed with something. When I read of collectors who bust sketch card cases say how much they LOVE every sketch they pulled (when they all look completely different and are of a skill level most people would consider dreck) I can't but think they're just trying to justify having spent lots of money and got 'less' than if they'd just bought a couple of cards they really liked on the secondary market.
I agree on all counts that an official 'trading card' is far more desirable than a PSC or ACEO if the former is available. That said, the sad thing is that the quality of the work put into some licenced product is truly shocking. Some of the work collectors get commissioned can be truly phenomenal, I guess the artist being paid direct is a good incentive to turn out great work for a client who they KNOW will love the finished piece.
OK X, I really enjoyed your post and had to bust out laughing. So now all those sketch card collectors can rise up and say nasty things about both of us, but I do look at some of the sketches that people have raved about and I don't know if they talked themselves into believing it or if they are just blind.
Art is HIGHLY subjective.
Anyway to your other point, there are many commissioned pieces that are outstanding and of course certain artists are in great demand. I have not tried to get one for a couple of years and I really hesitate to even approach one of these better known artists now. I don't know what they are charging and I would hate to back out after getting the estimate. Also there seems to be a long wait time if you do try for certain people. So since I don't really feel that strongly about it I tend not to do it.
Don't get me wrong, I'm not arrogant enough to assume or assert that my taste in art or sketch cards is the barometer by which all art must be judged, and I will happily accept, and be pleased for a collector, that likes something I do not. I wouldn't give you a tenner for a Katie Cooke sketch card, but boy she has her fans!
I only like certain kinds of art/artists, and so does the person who hates what I like. I am certain that no-one likes EVERYTHING. I don't see how that is possible. To like everything is the absence of having any taste at all, and that can't be accurate: we all have aesthetic preferences in every part of life, but particularly when it comes to artwork which is meant to be a fairly evocative and emotional experience.
This is my latest sketch which I bought not knowing who it was by (I have since found out it is by Joel Biske). I have wanted a nice colour Vader sketch card for years and it is, in fact, only my third colour Star Wars card ever. Going back to the original point, why bust case after case when I could just buy this for £25? I guess Biske is not a big name but I know I would not have got (what I consder) the same 'quality' or better out of every inserted sketch I may pull if I were brave, or crazy enough to bust boxes.
I get what you say about the feeling of effort that goes into reaching out to these artists and negotiating a 'job'. Still, I respect the effort and passion a fan must put in to carve out a unique collection for themselves, crafted to their individual tastes.